[ Risotto is almost surprised it's that easy. It's a nice little confidence boost, both personally and towards reality in general, that shouldering the door open actually works.
And there's no immediate signs of supernatural pets in this room, either — it's barely even been a full week, but Risotto's a quick learner for threats, and he visually sweeps the room (multiple beds, but no other occupants) for any pokéballs before advancing. ]
Then they can keep your pen. [ Since, you know, Doppio's about to die and very shortly won't be needing it anymore.
If it's a threat about retribution that Doppio means to get across — that Risotto ought to stop because someone will be coming very shortly who would notice Doppio's corpse — Risotto doesn't care. He'd rather not get caught this soon into arriving, but afterlife or not, really dead back home or not, Risotto wants revenge more than he wants anything else. He has nothing else, now.
Which is why he's uncapping the pen to present the only sharp object he actually happens to have on his person at all, and lunges forward to get a grip on Doppio — on his shirt or his actual throat, whatever finds its way more easily under his fingers. ]
Without your stand, you're an easy target. [ Because if Risotto doesn't have his, there's no way Doppio has one either. ]
no subject
And there's no immediate signs of supernatural pets in this room, either — it's barely even been a full week, but Risotto's a quick learner for threats, and he visually sweeps the room (multiple beds, but no other occupants) for any pokéballs before advancing. ]
Then they can keep your pen. [ Since, you know, Doppio's about to die and very shortly won't be needing it anymore.
If it's a threat about retribution that Doppio means to get across — that Risotto ought to stop because someone will be coming very shortly who would notice Doppio's corpse — Risotto doesn't care. He'd rather not get caught this soon into arriving, but afterlife or not, really dead back home or not, Risotto wants revenge more than he wants anything else. He has nothing else, now.
Which is why he's uncapping the pen to present the only sharp object he actually happens to have on his person at all, and lunges forward to get a grip on Doppio — on his shirt or his actual throat, whatever finds its way more easily under his fingers. ]
Without your stand, you're an easy target. [ Because if Risotto doesn't have his, there's no way Doppio has one either. ]